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You may not leave the theater scared, but you will leave it scarred, which is by far a more substantive response than naked fear. When The Wailing arrives at its final, spectacular half hour, you’ll vow never to ask these questions about your own life, ever.
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What do you do when your holy authority figures fail you? What do you do when you can’t trust your perception? Na has made these ideas, though hardly new in the horror canon, his film’s full purpose, and his conclusions are devastatingly bleak. This is an incredibly creepy and oft-unsettling film, but Na finds the tug of disbelief far more upsetting than the sight of bodies cut apart and blood splattering the wall. When Jong-gu shows up, all is bedlam people are screaming and crying, emergency workers litter the area like ants at a gory picnic, and the killer sits in a stupor, unaware of neither the mayhem nor the vicious boils coating their skin. The film’s first full sequence shatters the calm as Sergeant Jeon Jong-gu (Kwak Do-won, turning in a knockout performance) is called to the scene of a savage multiple murder. The hushed serenity blanketing The Wailing’s opening images creates an atmosphere of peace that Na is all too happy to subvert (similar to how he subverts Bible verses). It’s a lovely, bucolic setting that Na and his cinematographer, the incredible Hong Kyung-pyo, take fullest advantage of aesthetically and thematically. The Wailing unfolds in Gokseong County, an agricultural community nestled among South Korea’s southern provinces. He’s out to corrode our souls, much in the same way that his protagonist’s faith is corroded after being subject to both divine and infernal tests over the course of the film. Na trades in doubt and especially despair more than in what we think of as “horror.” He isn’t out to terrify us. There is wailing to be heard here, yes, and plenty of it, but in two words Na coyly predicts his audience’s reaction to the movie’s grim tableaus of a county in spiritual strife. title of Na Hong-jin’s new film, The Wailing, suggests tone more than it does sound. But when we look back at the Great Recession years from now, 99 Homes may be one of those films we point to and say, “That was sort of what it felt like at the time.
The betting is that this film won’t be remembered as one of Ramin Bahrani’s best. The agony it depicts and the almost inarticulate rage it expresses are too insistent to shake off.
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Nash is handy-he used to work in construction-so he starts off doing manual labor, but soon he graduates to being Carver’s right-hand man, becoming more involved in the realtor’s unscrupulous business practices. Nash despises Carver, but because he’s desperate for a job he accepts work from the realtor. The man who comes to his door to deliver the bad news is Rick Carver (Michael Shannon), a shady realtor who carries a concealed weapon because of past altercations. Andrew Garfield stars as Dennis Nash, an Orlando single father whose family home is about to be foreclosed on. 99 Homesĩ9 Homes is strongest when it captures the anger and desperation of those affected by the recent collapse of the housing market.
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We’ve gathered up the best of the best from these services to bring you the 100 best movies to stream, updated for December 2021.Ĭrackle has one of the best selections of free films, from classics to cult favorites to more recent hits.
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And if you’ve got a student ID or a public library card, there’s a huge selection of movies available for free check-out at Kanopy and Hoopla. These ad-based sites (you’ll watch for free, but with commercials) include the likes of Crackle, IMDb TV, Redbox, Pluto TV and Tubi.
These range from public domain classics on YouTube to more recent selections available to watch on the vast world of AVOD. Fortunately for movie-lovers, there are plenty of films streaming for free-and legally-across a variety of sites.
Monthly expenses for streaming services can add up quickly.